Research on lightniong

Through my research on the horror genre, I was able to realize just how important lighting really is. Lighting provides different viewings of a near same image but distorts it in a way in which the audience becomes uncomfortable. So to summarize my findings, I will explain some key techniques, show examples of them, and explain how they could be utilized in the film opening.

Uplighting: Uplighting is the technique where distortion is masterful. Familiar viewings are hindered, and human structure and imperfection are established. This is usually done from any type of light that is strong enough, under the actual character. This can be achieved with fire, a lamp, or in most classic films, a flashlight. The reason it is so scary is that this type of view on someone is unnatural and overly saturated. This could possibly be used in the opening to which if we film in a dark room, the killer or even the kidnapped person could be introduced under uplighting, or when we get the quick glance at the killer.

Backlighting: It basically is exactly what it sounds like. It basically uses what is called eclipsing. However, this effect is mainly used to add dread to a figure in the distance or add the effect to a character walking into frame. The characters essentially eclipses the light which is behind them, which creates a masking dark effect around them. This could be used into the incorporation of when the kidnapped person is walking towards the cabinet to search for keys, as it would add great omniusnes to a relatively quiet scene.

Spotlighting: This technique is another clear giveaway from its name. The shot aims to add most of the general attention of the audience to one specific area of focus. This is usually done or mastered through a POV shot with the use of a strong spotlight or even a flashlight. This shot is even used in most horror films where the people go to explore a dark room and are caught with surprise to look around. It is even worse for viewers, as they are left in awe, even though they know exactly what they are looking at. It's unexpected, yet so personal. This could be used when we are first introduced to the kidnapped if they were to use an actual flashlight.

Saturated red: This type of lighting puts a saturated red cell over the filming device. This is used in many horror films today to add to the environment and make it more dangerous. This is done so, as the color red is usually associated with death and blood. Scenes can even make use of this when they contrast it next to a color that is supersaturated to add to the already weird looking cell. I do not believe that this type of lighting could fit my ideals, however, in the future, it could be vital in establishing ambiance.

Elongated shadow: The elongated shadow is a technique that has been used more in classic horror films, as many of the shots of murder are represented with CGI or with quick jump cuts. However, since I do not own that type of technology or budget it could be a possibility to use the shadow to show off the killer. However, a jump cut of the killing may play off better. The elongated shadow adds a sense of danger. The character not being shown is introduced as more menacing. This is used from a strong light source, which will give a large high contrast shadow. It is even furthered if there is more light in the room, as seeing a shadow randomly appear adds a sense of invasion.