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Sunday, March 3, 2019

Storyboarding time









Here is the theoretical storyboard, it's first model for the proposed shots and scene points of the film opening. The first image provides a low angle of a long shot to introduce the setting, which is of course the house of the serial killer. Next we are provided with a high angle of a diming/twitching lightbulb as flies swarm around, with the character who has been kidnapped in the background. We are then provided with a medium shot of the captured as they wakeup from a beating and realize they have lost an arm, this provides a great introduction to the character and brings raw sense of emotion. As the character moves, we get a medium shot of just the characters legs as they swaddle to find their phone. We are then given an over the shoulder shot of the character realizing their phone is completely dead, to which then next shot is a long shot of them throwing their phone from a further distance to give this sense of ominousness. We are next provided with a medium shot of the character realizing the door to leave is locked, while we move on to a high angle shot of them searching through the cabinets for a charger. The next shot dwells into the characters sheer fear as they fall backwards as they find teeth inside of the next cupboard. As the character regains a sense of being, the radio begins to play a song (we are trying to get "Run Rabbit Run" by Flanagan and Allen) in a very low prose. As they move closer the song gets louder as any usage of sound perspective is necessary. We are then given a medium shot jump scare of the new introduced serial killer running in and pushing the captured. We are given a series of stabbings using shadowing mechanics/ extreme close ups which is TBD. However as the second stab comes into the chest, the go onto a closet wall with usage of shadows to provide the main title header. While we move on to a shot under a bed, which only shows us the murderer dragging and dealing with cleanup of the dead lifeless body while credits roll.

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