This shot was a seamless improvement to the last shot shown in the last blog as the spotlighting just looks tighter and the person being killed turns their flashlight towards the camera at a much faster rate, because the previous shot looked vaguely lethargic, while this one shows more raw emotion.
These shots exemplify the struggles we were and are having. We are struggling with timing, so we don't know at this point if taking the extra seconds to turn on a flashlight is worth it. So the two shots shown are very similar, and just show the different directions we were heading towards when filming this opening shot.
This shot is an improvement from the one shown yesterday. It exemplifies a stronger and cleaner over the shoulder shot, and moves at a much faster pace, as we told the kidnapped actor to act in a more aggressive and fearful manner.
During these re-filming days it was just Antonio and I, providing the same roles as we did yesterday, no Nico.
During these re-filming days it was just Antonio and I, providing the same roles as we did yesterday, no Nico.
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