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Monday, March 11, 2019

More group discussion

After delegation within class and countless searches through the free music archive, we had found the song that will be the best substitute for "Run Rabbit Run". "Reuben Rag",  brings that old and staticy element to the song, which adds to the creepiness along with the singer just sounding eerie as she sings, if it were to be slowed a bit. However it adds to those elements which were trying to get out of the other and much more, for it to be free. It is just more creepy in general as well, because she begins to yell soundlessly in the song for no reason. Likewise, my group also made some large changes to the physical storyboard elements and nature to the story. Rather than the shot of the lightbulb with the kidnapped at the bottom frame, we decided it would be cooler if we were to get a close up shot of the serial killer cleaning a knife as they cut vegetables very ominously as pop music plays at a slow pace to create the sense that this is not a horror movie, to be eerily juxtaposed with an image of a half beaten man on the floor. Like wise, rather than the kidnapped person's phone being not charged, it will just have no single, to set up for the calling scene. The kidnapped will also somehow drop something, so how later on, while the music plays from the radio, the killer can accidentally step on it, setting up the murder and jump scare, as seen in the terminator 2 film opening, a research post will be done later on this. Likewise, rather than the murder dragging the body, we see it rather fit that they are on a call with someone who they called, while the person on the other line yells "hello...hello" and hangs up as symbolism for the death.


Here we are demonstrated one of the changes in the storyboard as the one of the near opening scenes after the low angle of the house is the clear change of direction to focus on the murderer as we change from introducing the kidnapped to them actually doing something simple yet ominous as cutting vegetables, as music plays in the back, such as an ominous beat like the one linked.


Here is just a demonstration of small changes to be made, as they'll play more important roles to the end of the actual movie intro in developing mood and character setting by allowing us to leave this ominousness as the call is ongoing through the murder.


This is the last demonstration I will show of changes to the storyboard. Here we made a change to the actual murdering scene. Rather than a quick and rapid jump scare, it will be enticed with a breaking of a some object, glass we are assuming but we don't know how the glass will get there, along with this cutting back into the quick and fast paced jump scare of the murder.






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